Monday, March 16, 2015

Sweet July

Hey Ho!

Week 5 and I'm still hanging in there with the Songwriting Challenge.  This one is sweet and naked as far as production goes. This weeks challenge was to write for a new TV series described as "a 19th Century 'Dexter' centring around a female anti-hero, lots of emotions: love, lust, hate, danger". 

So I started by simply listening to some of the songs provided for reference, in particular Hozier's 'To Be Alone'. Using electric piano combined with guitar sounds I came up with the harmonic structure....then honestly, I can't remember. Words just started falling out of me. 

I demo'd up the song using garageband (such a great tool). I played all the parts that you're hearing on the track including the guitar....which, since I don't play guitar, is my piano and some guitar midi sounds. I exported the wave files to Brad and we did the vocal takes in the studio. Didn't have a lot of time to do all the things we would normally do as he's had a busy week in the studio but I managed to snake a couple of hours. Apparently Brad is only human not robotic and can't engineer 20 hours a day. Who knew?!

I look forward to recording this song for real, perhaps extending it a bit with a third verse or bridge. 


Behind these closed eyes
I'm feeling hypnotized oh
Before your breath is gone
I wanna take the long way home

My body's begging me
for more of you and your lies
Don't know what this could mean
Don't wanna feel goodbye
I wanna lace you up and tuck you in real tight
to my delight.

Oh my sweet July
I feel your heat inside
And all I can say is c'mon c'mon let's burn
Oh my sweet July
You're my darkest knight
Holding your sword all I can hear is c'mon c'mon
Ooooooo
My sweet July
Ooooooo
Sweet July

Inside this mystery
I wanna set us free oh
With shadows in our hearts
We're hiding in the dark alone.

Written by Trish Evans

Monday, March 9, 2015

No Tailgating this Country Song

Well, here I am at Week 4 in the epic 2015 Songwriting Challenge au Canada! Honestly, I didn't think I would make it this far. Between my Berklee class and easing myself back into regular life after cancer treatment with exercise, food and wellness workshops, I thought it was a pretty good bet that I would be a spectator here on out in the challenge. 

But here I am. 

So here we go.

The Song....... Stand Up. (listen here)

This weeks task? Write some edgy country/pop and don't talk about marriage or kids or partying at the lake or trucks and tailgates. Oh, and No 'Bro Country' vibe.
My first thought was, "What the hell is 'bro country'", followed by "What the hell am I going to talk about then". Oh, and the song is for a male country artist in his 20's. Hmmmm.  Okay. Let me just put myself in his shoes then and away we go! haha.  Not.
So, I began with a chorus that I had from a Berklee assignment from a few weeks ago. Seemed like a good starting point. The rest of the harmony and melody lines came pretty quickly. Overall, I was happy with everything except the first verse, which is a bit of a drag on account that its the intro and set up for the whole song. If there was one part of a song that you didn't want to have suck, it would be the first verse. But it was the best I could do in this amount of time and the fact that its ready to post is, in itself, amazing to me. 

The Recording

Well, a few firsts for me in demoing up this song. I have never sang about my girl leaving me before nor have I sang about having a beer or two.  I must say it was a bit weird singing a song that is from a dude's perspective but alas, on short notice, there was no singing dudes to be found in time. 
Like I mentioned before I had the chorus, so I piano'd my way through the harmonic structure for the song and then Brad went to town on creating the groove and feel of the song, recording all the guitars, programming the drum tracks, mixing the whole thing, producing the vocal....etc. etc. You know, the easy stuff! Honestly don't know what these songs would be sounding like without him. I'm thinking Trish live via iPhone! Painful. 
Anyways, I sang a lot of the verses and harmonies on the fly. Brad has told me that we in fact tracked all the vocals in an hour and a half, which is another first. I think because I'm doing so much singing and small garageband type demoing for my music course, its helping me with my confidence and proficiency. Whatever the reason I'm pretty proud of being able to get it done. 

So congratulations to all of us who are still meeting the deadlines, wether it be in style or by the skin of our teeth! Cheers!


Lyrics
I was new in town and feelin' down
Cuz my girl left a second time.
So I found somewhere to have a few beer
And ease my troubled mind.
Well I shared my past and got a few laughs
'Bout the stupid things I did
And I can't believe, like a mall police
They fink'd every word I said.

Well there's just one thing that turns my disposition black
Its a 2-faced double crosser talking shit behind my back.

Stand Up
And look me in the eye
Stand Up
When you're unpacking all those lies
I almost fell to the ground
When I finally found
That your truth is worth nothin
And that you've been bluffing
oh yah whoa you better
Stand Up

With the money I was makin' my dates were always taken
To places extra nice
But she'ld be gone before mornin' and that should have been my warnin'
I was gonna have to pay a price
When things seemed too good to be true
I started to question why
Turns out she was cheatin' and the candy she was eaten'
Was from a richer man than I.

Well there's just one thing that turns my disposition black
Its a 2-faced double crosser diggin' gold behind my back.

I wrote this song about right and wrong
Cuz I was taught to tell the truth
How we act should be manner and fact
Hey There"
I'm talking to You!



Monday, March 2, 2015

Sold in 60 Seconds!

S.A.C Challenge #3

Create a 60 second clip for advertising "something child-like, light and playful, fun, capturing the moment and that captures the spirit of a child".

The Song....Follow Your Heart

I must admit, I lucked out on this one. I had written a piece for homework for my Berklee songwriting class a couple of weeks ago and when this challenge came up I knew right away it was a strong place to begin. 

I decided to change a couple of lines in the verse as I felt they were perhaps a bit too heart stringy and heavy. Then of course, I started overwriting and doubting the material that I had, but was able to pull myself out of the impending nose dive I was taking and found a happy medium. I kept the full chorus and re-arranged the verse lines into one. 

As I was cutting and pasting, doubting and hating, I began to think about who was the real target for this advertisement. A child may be in the commercial but its still the parent who packs the pocketbook of cash. This helped me to work the song better for the challenge. I thought that if I went too far into the classroom crowd it may not appeal to the finance department at home! Of course if the commercial is for a Barney spot I'm definitely screwed. But I took the chance that it was a general product and if it wasn't quite on the right road, the song as it stands could remain versatile enough to perhaps entrigue some advertising onlookers.

Recording

Brad and I had tracked a lot of this a couple of weeks ago so it was a good feeling to have that under my belt at the beginning of the week. All we really had to do was re-track the new vocals. He was inspired to add a Ukelele track to give it more childlike bounce, which I think worked great.  

In the original recording session of Follow Your Heart, I became inspired to have children voices on the track. In fact, I had been talking to some of my friends during its first recording about the possibility of rounding up some kidlets to come and sing on it. I thought that the echo part and the final choruses would be fun with children's voices. Unfortunately rounding up random children's choirs on the fly is difficult at best and wasn't feasible in time for this post, however, I still intend to make it happen. I'm curious how it will affect the song possibly causing quite a party for us as well here at Taylor Sound.

Creating a 60 second window with viable 15 and 30 second stand alone segments took some chopping from the original layout.  I was mindful of what the client may need and tried to give multiple chopping opportunities. I kept and intro without vocals for instrumental time that clocks in around 7 secs. The could be doubled for a 15 sec fill. The verse is 26 secs long which combined with the 5 sec outdo gives a useable 30 sec window. The whole song together is 60 secs......exactly 60 seconds. 


Listen to Follow Your Heart Here

Recorded/Mixed @TaylorSound